Reticulation

The work engages with archival images from the early days of microscopic cinematography in the 20th century to question the construction of “life” as an epistemological entity. To this end, it revisits Foucault’s notion of life as a result of the establishment of biology as a scientific discipline in the 19th century. By appropriating the language of scientific documentary, it observes the behaviour of cells and develops an audiovisual narrative that traces technological advances in the creation and capture of scientific images.

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