Aos de ontem, aos de sempre[ÒDIO]
![[ÒDIO]](https://i1.wp.com/image.tmdb.org/t/p/w1280/xBdrLPqEgadRVgMoItRkeUFIQSS.jpg?ssl=1&resize=1200,500)
Overview
![[ÒDIO]](https://i1.wp.com/image.tmdb.org/t/p/w500/enmBWZJOpCE7c5SC2FsLWFbEiII.jpg?ssl=1&resize=256,384)
[ÒDIO] is a polyphonic work that resonates as a choral dramaturgy: a fabric of gazes and contrasting testimonies on the spread of violence, emerging from encounters with dozens of young people of various nationalities and backgrounds. A three-chapter documentary film that we shot by placing a lightweight blue photographic backdrop in schools, cultural spaces, and reception centers, starting from Rimini, then Rome (the Quarticciolo district) and Hamburg. [ÒDIO] is the final destination of our long theatrical research into the novel Frankenstein (or the Modern Prometheus).
AI powered search
![[ÒDIO]](https://i1.wp.com/image.tmdb.org/t/p/w780/xBdrLPqEgadRVgMoItRkeUFIQSS.jpg?ssl=1&resize=640,360)
You may also like
Aos de ontem, aos de sempre
Ady Steg, un parcours juif, une histoire française
Filmworker
The New York Hardcore Chronicles Film
The 11th Hour
Psychiatric Interview Series—Patient No. 1: Evaluation for Diagnosis
Roma WWF Superstar to Teacher: A Mini Documentary
Tangled Web: Making Kiss of the Spider Woman
Omnibus: François Truffaut
The Making of Agatha Christie's 'Evil Under the Sun'
Ka Ho‘ina: Going Home
They Won't Call It Murder
The Color of Fear 2: Walking Each Other Home
Me Alone in the Classroom
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Me llamo Marian















